Selection
A Sourcebook of Performance Labor: Activators, Activists, Archives, All, Routledge, November 2022
“How to Do Things with SVD: mathematical tool-sharing from physics to performative research,” co-authored with Clint Hurshman, Leonardo, MIT Press, Volume 55, Issue 5, October 2022
“Room Tone,” Capacious: Journal for Emerging Affect Inquiry, Vol. 2, No. 3, 2021
“A Constructed Situation and a Cotton Banner,” PARSE Journal, University of Gothenburg, Issue 13.2, “On the Question of Exhibition, Part 2,” Summer 2021
“The Pansy Project: An Interview with Paul Harfleet” Antennae: The Journal of Nature in Visual Culture, Issue 52, Autumn 2020
“The Time and Space of Isolation: Diana Thater Interviewed by Joey Orr,” BOMB, October 30, 2020
“Lilly McElroy: Absurdity is a Protest,” Art Papers, Summer 2020
“Szu-Han Ho: COVID-19, the #PPE we all need,” Art Papers, Summer 2020
Inquiries, editor and contributor, Spencer Museum of Art, University of Kansas, November 2019
“Social Histories: An Inquiry from the Integrated Arts Research Initiative,” co-author with Imani Wadud, Pedagogies in Art Journal Open, College Art Association, April 18, 2019
“We rode a train to write this essay,” John Q co-author, Journal of American Studies, Vol. 52, Cambridge University Press, December 2018
“Radical View of Freedom: Interview with Dread Scott,” Journal of American Studies, Vol. 52, Cambridge University Press, December 2018
“Jewish Tactics and Memorial Spacemaking: Lisa Alembik’s Murder Ballads,” Images: A Journal of Jewish Art and Visual Culture, Vol. 11, Issue 1, Brill, 2018
“Curating for Research,” Journal for Artistic Research, Network Reflections, September 5, 2018
“AMBIVALENT STEWARD” or “What Do You Do When a Project You Curate Is Censored By the State?”, Hyperallergic, August 17, 2018
“Collecting Social Things” in Rhetoric, Social Value, and the Arts, Palgrave Macmillan, 2017
Interview with Suzanne Lacy, Art & the Public Sphere, Intellect, Vol. 6, Issue 1, 2017
Chris Bradley’s Shifting Objects, Chicago Works: Chris Bradley brochure, Museum of Contemporary Art Chicago (2017)
Matter Matters, Chicago Works: Andrew Yang brochure, Museum of Contemporary Art Chicago (2016)
Participatory Research and Visual Methods, co-authored with Sarah Franzen, Visual Methodologies, Vol 4, No 1 (2016)
Seeds in Service: Works on Paper, co-authored with Sally Eaves-Hughes, Art Papers, May/June 2016
Scott Ingram’s Blue Collar Modernism, Sculpture, January/February 2015, Vol. 34, No. 1
The Campaign for Atlanta: An Act of Research, QED: A Journal in GLBTQ Worldmaking, Michigan State University Press, Volume 1, Number 2 (Summer 2014)
Geographic Practice in Terminal Velocity, 2011/2012 Working Artist Projects exhibition catalogue, Museum of Contemporary Art of Georgia, 2013
Feeling the Archives, Emotion, Space & Society, 5 (2012)
Art Under the Oddest Circumstances, BURNAWAY, July 24, 2012
Claire Culture: Milford Thomas and the Public Work of Filmmaking, Art Papers May/June 2012
The Social Life of Pam Longobardi’s Drifters Project, Packet Soup exhibition catalogue, May/June 2012, SAVVY Contemporary: The Laboratory of Form-Ideas, Berlin
Motherhood in Morning Sun, Review of Benita Carr’s photography and video at Whitespace, ArtsATL, January 2012
Grad School Confidential, BURNAWAY, November 2, 2011
Future Perfect: Tina Martel’s Evolution, Evolve exhibition catalogue, 2011
Discursive Memorials, collaborative essay with John Q, Southern Spaces, 2010
Queer Pictures, The JOSH (Arts and Sciences PROJECTS, NY, Spring 2009)
Genesis Traveler, 2007/2008 Working Artist Projects, Museum of Contemporary Art of GA’s 2007/2008 Working Artists Project exhibition catalogue
Fly on the Web: When Performance Goes Online, Gay and Lesbian Review/Worldwide (Jan-Feb 2006)
joeyorr.com 